first, national traveler survey and research study of the regional market for Gullah Geechee
heritage tourism.
Heather serves on the advisory board for the Charles W. Joyner Institute for Gullah and African
Diaspora Studies and she was appointed by the National Endowment for the Arts to serve on the
panel responsible for selecting the 2020 National Heritage Fellows. In September 2020, she was
appointed to the Board of Trustees of the American Folklife Center at the Library of Congress.
Heather is also a documentary photographer who specializes in documenting African, African-
American and Afro-Latino culture with an emphasis on contemporary and traditional music and
dance culture. Recently, this work has taken her Santiago de Cuba, Cuba to study traditional
Afro-Cuban dance with Ballet Folklórico Cutumba; La Sabana, Venezuela for the Fiesta de San
Juan; Dakar, Senegal to explore it's contemporary music scene; Hopkins Village, Belize for
Garifuna Settlement Day; San Antonio, Texas for the Tejano Conjunto Festival; Clarksdale,
Mississippi to document the roots of Delta blues; and the Gathering at Geechee Kunda festival
culture in Riceboro, Georgia. Her photographs have been exhibited in Washington D.C. and
London.
Dr. Yanique Hume, University of the West Indies, Cave Hill, Barbados
https://www.cavehill.uwi.edu/fhe/CulturalStudies/staff/dr-yanique-hume.aspx
Dr. Yanique Hume is a multifaceted scholar, dancer and
choreographer with extensive research expertise and
specialization across the Americas and the African Diaspora. As
a tenured academic from the Caribbean with extensive regional
and international experience, she has secured expertise and
contribution to the Caribbean intellectual tradition operating
from the disciplines of cultural anthropology and performance
studies. Dr. Hume’s research experience and teaching areas
include: religious and performance cultures of the African
diaspora, Caribbean thought, popular culture, migration and
diasporic identities. As a multilingual researcher, her fieldwork
experience in dance forms and sacred arts are centered in Caribbean and Latin America,
especially Cuba, Haiti, the Dominican Republic, Jamaica, Suriname, Brazil and Colombia. In
applied research, her work has focused on the creative industries and cultural policy; migration
and tourism; museological production and management.
Dr. Hume is the co-editor of Caribbean Cultural Thought: From Plantation to Diaspora (2013);
Caribbean Popular Culture: Power, Politics and Performance (2016); and Passages and
Afterworlds: Anthropological Perspectives on Death in the Caribbean (2018). Dr. Hume is the
recipient of grants from the Social Science Research Council, the International Development
Research Centre, Ford Foundation and the Wenner Gren Foundation for Anthropological
Research. As a professional dancer and choreographer, she has worked with the National Dance
Theatre Company of Jamaica, L’Acadco United Caribbean Dance Force, and Danza Caribe of
Cuba. Her choreography draws on over 25 years of training in Afro-Caribbean dance with
specializations in Haitian, Jamaican and Cuban movement vocabularies. Dr. Hume brings