It requires, I say, the nicest balance to poise these metaphors, and determine whether
they are incredible and meaningless, or majestic and sublime. Not that I think
anything which I have written, or can write, admits of comparison with these. I am not
quite so foolish; but what I would be understood to contend for is, that we should give
eloquence free rein, and not restrain the force and impetuosity of genius within too
narrow a compass. But it will be said, perhaps, that one law applies to orators, another
to poets. As if, in truth, Marc Tully were not as bold in his metaphors as any of the
poets! But not to mention particular instances from him, in a point where, I imagine,
there can be no dispute; does Demosthenes4 himself, that model and standard of true
oratory, does Demosthenes check and repress the fire of his indignation, in that well-
known passage which begins thus: “These wicked men, these flatterers, and these
destroyers of mankind,” &c. And again: “It is neither with stones nor bricks that I
have fortified this city,” &c.—And afterwards: “I have thrown up these out-works
before Attica, and pointed out to you all the resources which human prudence can
suggest,” &c.—And in another place: “O Athenians, I swear by the immortal gods
that he is intoxicated with the grandeur of his own actions,” &c.5 —But what can be
more daring and beautiful than that long digression, which begins in this manner: “A
terrible disease?”—The following passage likewise, though somewhat shorter, is
equally boldly conceived:—“Then it was I rose up in opposition to the daring Pytho,
who poured forth a torrent of menaces against you,” &c.6 —The subsequent stricture
is of the same stamp: “When a man has strengthened himself, as Philip has, in avarice
and wickedness, the first pretence, the first false step, be it ever so inconsiderable, has
overthrown and destroyed all,” &c.7 —So in the same style with the foregoing is
this:—“Railed off, as it were, from the privileges of society, by the concurrent and
just judgments of the three tribunals in the city.”—And in the same place: “O
Aristogiton! you have betrayed that mercy which used to be shown to offences of this
nature, or rather, indeed, you have wholly destroyed it. In vain then would you fly for
refuge to a port, which you have shut up, and encompassed with rocks.”—He has said
before: “I am afraid, therefore, you should appear in the judgment of some, to have
erected a public seminary of faction: for there is a weakness in all wickedness which
renders it apt to betray itself!”—And a little lower: “I see none of these resources
open to him; but all is precipice gulf, and profound abyss.”—And again: “Nor do I
imagine that our ancestors erected those courts of judicature that men of his character
should be planted there, but on the contrary, eradicated, that none may emulate their
evil actions.”—And afterwards: “If he is then the artificer of every wickedness, if he
only makes it his trade and traffic,” &c.—And a thousand other passages which I
might cite to the same purpose; not to mention those expressions which Aeschines
calls not words, but wonders.—You will tell me, perhaps, I have unwarily mentioned
Aeschines, since Demosthenes is condemned even by him, for running into these
figurative expressions. But observe, I entreat you, how far superior the former orator
is to his critic, and superior too in the very passage to which he objects; for in others,
the force of his genius, in those above quoted, its loftiness, makes itself manifest. But
does Aeschines himself avoid those errors which he reproves in Demosthenes? “The
orator,” says he, “Athenians, and the law, ought to speak the same language; but when
the voice of the law declares one thing, and that of the orator another we should give
our vote to the justice of the law, not to the impudence of the orator.”8 —And in
another place: “He afterwards manifestly discovered the design he had, of concealing
his fraud under cover of the decree, having expressly declared therein that the
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