Athens Journal of Philology
105
There was a linen industry in Scotland and, in carefully chosen words in
Stultus, the kingdom dimensions, 265 miles by 150 miles, apply to Ireland and
Scotland; as does a satiric reference to Henry the Second and 1173, when Henry‟s
heir apparent, Young Henry, rebelled, and Scotland, France, Flanders, and Boulogne
allied themselves with the Irish rebels. Smollett also alludes to Protestantism, the
Scottish Reformation, and the survival of Papism, in both Scotland and Ireland;
I am very well informed that this Kingdom from N. to S. is about 265 Miles, and
from E. to W. about 150, and contains about eighteen Millions of statute Acres, with
commodious Harbours, Bays, and Rivers. Henry the second stole it from your
Ancestors. Many Struggles were made by our good Friends to shake off this Yoke,
but in vain. At that Period, vulgarly called The Reformation, your Friends held fast to
Mother-Church, but still Protestantism impudently raised her Head, and shamefully
flourished (Smollett 1753B II, p. 167).
In 1766 Smollett revised and published a fourth, Dublin edition of Jack
Connor (Smollett 1766). Smollett‟s hand is seen in the revisions, updating political
and social events, and in his additions to it: Stultus again, with minor revisions, and
adding in two further satires; firstly, The Importance of Ireland to England, and
secondly, Motives for a Peace with England, by an Old Sea Officer, in French and
English. Naval surgeon Smollett, being obvious as the Old Sea Officer, and
Motives for a Peace being previously printed in 1757 for W. Reeve (Smollett
1757), with an extract in London Chronicle, Vol. 2, December, 1757, page 605.
Extended, and uncharacteristically favourable, comments on Jack Connor
appeared in the Monthly Review for 1752, pages 447–449. It is believed Smollett
wrote those effusive remarks for Ralph Griffiths, prior to their falling out; indicated
by Smollett‟s inclusion, as a puff, in the fourth, 1766, edition of Jack Connor;
This History was first published in 1751. ... This book likewise bore three numerous
impressions in London, and met with general applause from all who had any relish
for the sentiments of nature. … the Monthly Review for July 1752 spoke of it in this
manner; “Of the several books of entertainment published in the course of the late
winter, none gave us more satisfaction in the perusal, than this work ... The author
hath taken uncommon and effectual care to conceal his name from the public; ...
Guesses, indeed, have been plentifully aim‟d at him; but all that these have
discovered or agreed in, is, that he appears to be a gentleman, and of a neighbouring
kingdom ... Every unprejudiced reader must own, that the stile, and sentiments of this
writer speak him to be above the common run of authors” (Smollett 1766, pp. ix–xi).
The case for Smollett as author of Jack Connor is established. As with Dougal
Graham, and Edmund Burt, it is irrelevant whether there was a real William
Chaigneau, or if Smollett knew him. Based upon the satiric intent, context, content,
and style, together with the many literary cross-links, it is contended Jack Connor
could not be written by Chaigneau. The details in Jack Connor and Stultus are so
connected to Smollett and Fielding, and too interwoven with other events and
literary works of 1744-1766, to be penned by an otherwise unremarkable Irish
military agent.