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these questions over the years. Justice
Holmes, in Bleistein v. Donaldson
Lithographing Co., 188 U.S. 239, 250
(1903), stated that “[It] is the personal
reaction of an individual upon nature . . . .
[A] very modest grade of art has in it
something irreducible, which is one man’s
alone. That something he may copyright
. . .” More recently, Justice O’Connor, in
Feist Publications, Inc. v. Rural Telephone
Service Co., Inc., 499 U.S. 340, 345 (1991),
stated (internal references and quotations
omitted):
Original, as the term is used in
copyright, means only that the work
was independently created by the
author (as opposed to copied from
other works), and that it possesses at
least some minimal degree of
creativity . . . . To be sure, the requisite
level of creativity is extremely low;
even a slight amount will suffice. The
vast majority of works will make the
grade quite easily, as they possess
some creative spark, no matter how
crude, humble or obvious it may be.
How do we apply these tests to the work at
hand? We are assisted, to some degree, by
the regulations of the Copyright Office as to
the types of works the Office will register.
We quote the regulation—which the Office
states is based on decades of court
decisions—in full, from 37 C.F.R.:
§ 202.1 Material not subject to
copyright.
The following are examples of works
not subject to copyright and
applications for registration of such
works cannot be entertained:
(a) Words and short phrases such as
names, titles, and slogans; familiar
symbols or designs; mere variations of
typographic ornamentation, lettering or
coloring; mere listing of ingredients or
contents;
(b) Ideas, plans, methods, systems, or
devices, as distinguished from the
particular manner in which they are
expressed or described in a writing;
(c) Blank forms, such as time cards,
graph paper, account books, diaries,
bank checks, scorecards, address
books, report forms, order forms and
the like, which are designed for
recording information and do not in
themselves convey information;
(d) Works consisting entirely of
information that is common property
containing no original authorship, such
as, for example: Standard calendars,
height and weight charts, tape
measures and rulers, schedules of
sporting events, and lists or tables
taken from public documents or other
common sources;
(e) Typeface as typeface.
The Copyright Office, in defending its
action, argues that the logo is simply a
“familiar symbol or design,” with a “mere
variation in coloring,” as in subsection (a) of